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Magazine and Newspaper Articles, Part Two 1996 - Present |
Chronologically listed (for the most part.)
Go to Magazine and Newspaper Articles, Part One: 1957 - 1995.
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- Edward Seckerson "A Company Man"
The Independent, January 4, 1997
- Justin Davidson "A Tribute to Sondheim, the Composer" [review of the Brooklyn Academy of Music concert]
Newsday, March 24, 1997
- Ben Brantley [review of Candide]
New York Times, April 30, 1997
- Howard Kisell "Candide Still No Can Do" [review of Candide]
New York Daily News, April 30, 1997
- Linda Winer "Candide Makes a Spectacle of Itself" [review of Candide]
Newsday, April 30, 1997
- Malcolm Johnson "Candide Revival Towers Over Other Musicals of Season" [review of Candide]
Hartford Courant, May 4, 1997
- Trey Graham [review of the Signature/Arena production of Sunday in the Park with George]
USA Today, May 19, 1997
- Bob Mondello "Director's musical makeovers make stage waves" [interview with Eric Shaeffer]
USA Today, June 6, 1997
- Anthony Tommasini "Woe to Shows That Put On Operatic Airs"
New York Times, July 20, 1997
- Joel Henning "Sublime Sondheim" [review of Chicago production of Putting It Together]
Wall Street Journal, November 28, 1997
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- Frank Rich "Kansas Night Music"
New York Times, April 22, 1998
- "Ah, the Follies of Their Youth" [review of the Paper Mill Follies]
New York Daily News, May 5, 1998
- David Patrick Stearns "Sondheim Lovers Will Find Fun and Flaws in 'Follies'" [review of the Paper Mill Follies]
USA Today, May 5, 1998
- Ben Brantley "Follies: Emotionally Rich Exquisite-Looking
Production" [review of the Paper Mill Follies]
New York Times, May 8, 1998
- Marc Peyser "Send in the Fanatics"
Newsweek, May 25, 1998
- Nelson Pressley "'Evening' You'll Love" [review of Signature's You're Gonna Love Tomorrow]
Washington Times, June 5, 1998
- Pamela Sommers "Signature's Sondheim: Plotless Yet Pleasurable" [review of Signature's You're Gonna Love Tomorrow]
Washington Post, June 5, 1998
- Roxanne Orgill "In the Studio with Sondheim and Company" [article about the cast recording of the Paper Mill Follies]
Wall Street Journal, June 9, 1998
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- Michael Quintanilla "A Tug on the Ear to Burnett and Sondheim" [article about the Los Angeles Putting It Together]
Los Angeles Times, October 28, 1998
- David Mermelstein [review of the Los Angeles Putting It Together]
Variety, November 2, 1998
- Stephen Holden "Sondheim's Follies: The Uncut Version" [review of the Paper Mill Follies recording]
New York Times, November 29, 1998
- Stephen Sondheim "Wise Guys: Work in Progress for 47 Years"
New York Times, September 12, 1999
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- Linda Winer "A Lyric Landmark"
Newsday, March 10, 2000
- Frank Rich "Conversations with Sondheim"
New York Times Magazine, March 12, 2000
- Anthony Tommasini "A Recording of Saturday Night Gets the Composer's Touch"
New York Times, April 26, 2000
- "Musical or Opera, Which Is It?"
New York Times, April 30, 2000
- Octavio Roca "Splendid Sweeney Todd is Icing on Sondheim's Cake" [review of the New York Philharmonic Sweeney Todd]
San Francisco Chronicle, May 6, 2000
- Bernard Holland "In Sweeney Words Drive Art Forms" [review of the New York Philharmonic Sweeney Todd]
New York Times, May 8, 2000
- Elysa Gardner "Sondheim's Sweeney Todd Remains a Cut Above"[review of the New York Philharmonic Sweeney Todd]
USA Today, May 8, 2000
- Peter G. Davis "A Cut Above"[review of the New York Philharmonic Sweeney Todd]
New York, May 22 2000
- Joseph McLellan "For Sondheim's 70th Birthday, a Parade of Broadway Tunes - By Others" [review of the Library of Congress concert]
Washington Post, May 24, 2000
- Steven Winn "Sondhiem at 70: A Good Thing Still Going" [review of the Library of Congress concert]
San Francisco Chronicle, May 24, 2000
- Scott Vogel "Twilight for Sondheim?" [reviews of Reading Stephen Sondheim and Sondheim: A Casebook]
American Theatre, December, 2000
- Tony Thorncroft "Sondheim Displays His Creative Genius" [review of the Donmar Merrily We Roll Along]
London Financial Times, December 14, 2000
- Mark Sullivan [review of the Donmar Merrily We Roll Along]
Billboard, March 17, 2001
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- John Simon "In a Class by Himself: Stephen Sondheim"
Town and Country, January, 2001
- Anthony Tommasini "A Little Classical Music from Sondheim's Youth"
New York Times, May 17, 2001
- Stephen Holden "Sidemen by Sidemen by Sondheim"
New York Times, June 27, 2001
- Scarlet Cheng "Another Turn Around the Floor" [article about the Pasadena Playhouse Do I Hear a Waltz?]
Los Angeles Times , July 8, 2001
- Michael Phillips "Waltz Through Bitter Romance" [review of the Pasadena Playhouse Do I Hear a Waltz?]
Los Angeles Times, July 17, 2001
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- Mike Boehm "A Serious Case of Sondheim" [interview with David Kernan about Moving On]
Los Angeles Times, October 28, 2001
- Michael Phillips "'Moving On' Meaningfully Moves Along" [review of the Laguna Playhouse Moving On]
Los Angles Times, November 5, 2001
- Stephen Holden "Sondheim, Young and Dazzling" [review of the studio recording of The Frogs]
New York Times, November 25, 2001
- Steven Winn "Sondheim's Curious 'Frog'" [review of the studio recording of The Frogs]
San Francisco Chronicle, December 9, 2001
- Mark Dundas Wood "Uncovering Sondheim" [review of the studio recording of The Frogs]
American Theatre, February, 2002
- Rohan Preston "Words by Sondheim"
Minneapolis Star Tribune, December 2, 2001
- Jesse McKinley "Sondheim Sues to Pursue His Show Gold!"
New York Times, December 5, 2001
- Sylviane Gold "A Lot More Sondheim, A Little More Dancing"
Dance, February, 2002
- Jesse McKinley "Accord in Legal War Over Sondheim Musical"
New York Times, February 2, 2002
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- Patick Pacheco "Putting Him Together: An Oral Portrait of Stephen Sondheim"
Los Angeles Times, April 28, 2002
- Steve Swayne "Music for the Theatre: The Young Copland and the Younger Sondheim"
American Music, Spring, 2002
- Stephen Holden "A Contrarian Who Raised Musicals' I.Q."
New York Times, May 5, 2002
- Terry McCabe "Stephen Sondheim: Exploring Our Myths"
The Chronicle of Higher Education, May 10, 2002
- Tom Kuntz "Send in the Groans"
New York Times, May 12, 2002
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- Hitomi Hagio "Overtures from the Other Side of the Pacific" [article about the Lincoln Center Pacific Overtures]
American Theatre, May/June, 2002
- Ben Brantley "Genuinely Ugly American: As Viewed by the Japanese" [review of the Lincoln Center Pacific Overtures]
New York Times, July 11, 2002
- Mark Swed "Cultural Fine-Tuning of Pacific Overtures" [review of the Lincoln Center Pacific Overtures]
Los Angeles Times, July 15, 2002
- Terry Teachout "A Tale of Two Festivals" [includes a review of the Lincoln Center Pacific Overtures]
Washington Post, August 4, 2002
- Joshua Rosenblum [review of the Lincoln Center Pacific Overtures]
Opera News, October 2002
- Richard Traubner [review of the Lincoln Center Pacific Overtures]
American Record Guide, March/April 2003
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- Michael Phillips "Night Music Makes a Night of It" [review of the Ravinia Festival's A Little Night Music]
Chicago Tribune, August 24, 2002
- John Rockwell "It Takes the Sweeney to Make the Sweeney Todd" [review of the Lyric Opera of Chicago Sweeney Todd]
New York Times, November 26, 2002
- Charles Isherwood [review of the Lyric Opera of Chicago Sweeney Todd]
Variety, January 6, 2003
- John von Rhein [review of the Lyric Opera of Chicago Sweeney Todd]
American Record Guide, March/April 2003
- Mike Boehm "A Sondheim Overhaul" [article about the Matrix Anyone Can Whistle]
Los Angeles Times, February 16, 2003
- Mel Gussow "City Opera Revives Night Music as Composer Dotes" [article about the New York City Opera A Little Night Music]
New York Times, March 11, 2003
- Mel Gussow "Send in the Sondheim" [review of the New York City Opera A Little Night Music]
New York Times, March 11, 2003
- Elysa Gardner "Night Music Back With Wit, Sparkle" [review of the New York City Opera A Little Night Music]
USA Today, March 11, 2003
- Anthony Tommasini "Sondheim's Words Can Be More Vital Than Notes" [review of the New York City Opera A Little Night Music]
New York Times, March 13, 2003
- Peter G. Davis "Uneven Stephen" [review of the New York City Opera A Little Night Music]
New York, March 21, 2003
- Terry Teachout "Sondheim's Operas"
Commentary, May 2003
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- Wendell Brock "Making Overtures" [article about the Cincinnati/Atlanta/Boston Pacific Overtures]
Atlanta Journal-Constitution, May 7, 2003
- Wendell Brock "Enigmatic, Elegiac Overtures is Spectacularly Sondheim" [review of the Cincinnati/Atlanta/Boston Pacific Overtures]
Atlanta Journal-Constitution, May 9, 2003
- Sheridan Morley and Lisa Allardice "Power Struggles" [includes a review of the Donmar Warehouse Pacific Overtures]
New Statesman, July 21, 2003
- Catherine Foster "A Sondheim Spectacular of Song, Dance, and Samurai" [article about the Cincinnati/Atlanta/Boston Pacific Overtures]
Boston Globe, August 24, 2003
- Michael Philips "Passion Almost a Masterpiece" [review of the Ravinia Festival Passion]
Chicago Tribune, August 25, 2003
- Joel Henning "Let the Music Drive Musicals, Not the Staging" [review of the Ravinia Festival Passion]
Wall Street Journal, September 4, 2003
- Corby Kummer "Their Show of Shows" [article about the original Broadway production of Follies]
Atlantic Monthly, November 2003
- "All About Getting Even" [review of the Royal Opera House Sweeney Todd]
Wall Street Journal, December 24, 2003
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